Category: Sculpture

That picture is serious. Scientists have discovered that chimps adopt self decoration fads and crazes like grass in the ear.

This first bit of our art history covers a nice vague stretch from ‘the beginning’ to some time over three thousand years ago. As the latest indications are that hominids and probably Home Sapiens have been making tools since around 2.7 million years ago, that is a long time. Indications are also that different types of hominids overlapped, and in some cases, interbred for a lot longer than previously thought, so the history isn’t limited to Homo Sapiens.

Those early tools were made for over 300,000 years in the area around Kenya. That means that there was a consistent culture passing on ideas and skills. As animals use props to impress others, it is highly likely that humanoid groups did the same. Unfortunately evidence is slim. Apart from rare preservation specimens (like Ötzi, the Alpine hunter preserved in ice from around 5,000 years ago), most artifacts made by early people are hard to find. The most commonly preserved things are hard materials like bone, stone and metal. Metal items particularly can be associated with richer individuals. Even large objects, such as canoes, are rare. The earliest so far, 10,000 years ago, is quite likely not the first. Items used by everyday people may not be as long lasting.

The earliest known musical instrument is a flute from around 50,000 years ago but even before that there may have been less robust noise makers and alongside that people will have vocalised and danced. They will almost certainly also have decorated themselves in some way.

In Australia indigenous art dates back beyond 20,000 years and that is from a people who had to migrate over millennia before they got to Australia. Discoveries are still being made using better dating techniques and both in Australia and Indonesia it is thought that examples may date from over 50,000 years ago.

When talking to people about art, I often mischieviosly refer to larger artworks and buildings as Totalitarian art. By this I mean work where someone has so much power and ego that they can commision art that is grandiose. Unfortunately people often admire this sort of art without thinking too much about the conditions involved in its production. I think all forms of craft and art have value. Some just grab you visually or emotionally and this effect varies from person to person. Some have more intellectual content or more subtle emotional effect than others and these often benefit from more study. No matter what the artist puts into the work, or thinks about it can sometimes be completely at odds with what people take from it. Interpretation is a personal and difficult thing. The further back in time we go, and the further from our own cultural assumptions, the more we need to take care before judging the work.

This post is a work in progress and I will add some visual examples of work and more detailed discussion to it over time.

Below is a list of selected early artifacts by date. The obvious, non building, art is in bold, but there will be art in later buildings, such as Knossos.

Ignoring the lists, categories, reviews and other opinions

I once heard a Blackbird imitating the ‘Captain Pugwash’ theme music, because it had been played so often on on a friend’s personal pirate radio station. The Blackbird didn’t call it Art, but many humans would have no hesitation in calling their own efforts at such imitation Art. Other birds create what many high minded artists would call Installations, to make courtship displays. Who amongst us that do art isn’t partly trying to impress others in the same way?

Mischievously, I have taken to saying about human art that it all went wrong when we stopped painting on rock walls. In the history of rock and wall paintings we have work that is observational, has elements of positioning and design, depicts heroism, invokes spirits and memory, employs abstraction and symbolism and is also simply, stunningly beautiful and skillful.

Just like Evolution has constantly kept re-inventing the crab, because it works, humans have reinvented ways of making art. To some extent this is often because part of showing off can involve denigrating previous efforts but there also exist a set of humans who don’t make their name by creating art but by listing, categorising, championing and judging it. One of our key historical sources on renaissance art is Vasari’s ‘Lives of the Artists’. It does all of those things and also gossips, passes on myths and has always to be taken with a pinch of salt. Incidentally Vasari does mention some women artists but makes the usual assumptions about their art being less philosophical or heroic. As another aside, for those of you interested in the renaissance, if you look hard enough you can find the tax records of Florencians on line. They are full of fascinating pleas to pay less tax because life has been so hard recently.

When I was at school and first thinking about art as something I did and should know more about, I won the Biology prize and asked for The Story of Art by E.H. Gombrich. It was the first of many opinions and lists that I have studied over the years. What has become clearer to me with each thing I read is that a good degree of scepticism is required with all opinions (including mine of course). During years talking to people about art at the Yorkshire Sculpture Park, I’ve had some wonderful discussions and received interesting insights from others. I’ve also seen the light come on in people’s eyes when I give them permission to have an opinion, as long as they recognise that others might not agree and that better understanding often enriches experience.

The aim of what I am writing here is to help you see things more clearly with the aid of my lifetime’s experience of designing, creating, looking at and reading about, all forms of art and craft. Over time I hope to add to this post by highlighting some bits of the history to pass on some of that experience and knowledge to anyone reading. It will not be a long and specific list of art works. I want to widen the dialogue to include groups who are often left out of the story and to open our minds to let us do things without having to pay homage to particular ways of looking at the world. I have come to believe that we should respect what is around us and do our best to create what shows that respect and also tries to add our own perspectives and feelings to whatever we produce.

The earliest section of history is covered here.