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Art Garden

Woodpecker, Autumn and a shunting yard without rails

This is quite a shock when the woodpecker arrives alongside the little birds.

This Acer is always spectacular and changes quickly. Some of the trees have lost all their leaves and the Maple and Hazel in the background are still changing. At the same time there are still flowers.

Elsewhere there are various paintings and images containing snatches of what I think was formerly one of the largest shunting yards in Europe. Currently a new life is obviously planned for it. There is frantic work clearing and levelling going on. It is sometimes as noisy when the yard operated, but he lights are more localised and so less bright. Who knows what out view will contain next?

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Garden Sculpture

What a difference the light makes

Categories
Art

Arran 2024 Day 3

Holy Island from Lamlash, Morning clod and mist clearing
Categories
Art

Arran Day 2

My first short stay on this wonderful island (helped by glorious weather). Day 2 and we’ve walked and cycled loads already. Ruth has been up Goat Fell, while I walked round Brodick Castle grounds and the local area. We’ve been to see the Stone Circles at Machrie and Ruth walked to the Kings Cave, while I sketched below the basalt columns of Drumadoon Point.

The result so far.

Categories
Briefings

Bring on the Zoomorphism

There is a strong tendency in science to disapprove of anthropomorphism, meaning attributing human characteristics to animals. There is good reasoning behind that, but I suspect there is also a great deal of species snobbery involved as well.

It is true that we can’t tell what is going on in animals minds. Sadly that is also true of other people’s minds. With other humans we do have more clues because of shared experiences and the use of language but all sorts of things interfere with the reliability of the inferences that we make from what we observe and what people tell us. Modern technology, such as brain scans, can help in the rigour of our studies, but our understanding is still very fragmentary.

So why do I think the ‘avoid anthropomorphism’ stricture is also snobbish. Well we have a history of believing that we are totally unique and superior. It is even built into many religions. Many more people than now also used to think that women and children were also on some lower level and that reasoning about their behaviour was difficult. Most of us have moved on from that.

Avoiding comparing animals with humans risks missing out on vital clues about behaviours. If an animal looks embarrassed, then it is possible that they are experiencing something similar to our own reactions in a comparable situation. After all a very significant proportion of our own daily behaviour is controlled at a sub-rational level. To assume that animals can’t be reacting like us is just vanity.

Elsewhere I have said that I think that animals have some form of ‘artistic’ impulse. That is a two way assumption: that, in some way, the animal is thinking about what they are making or doing in terms of what it looks like but also that when we make or do things we are operating with impulses that are not entirely unique to us. That is zoomorphism.

Categories
Briefings

Language, Trade and History

I am just reading ‘Femina: A New History of the Middle Ages, Through the Women Written Out of It.’ by Janina Ramirez. Coincidently I am also watching ‘Art that Made Us’ and also ‘Nature and Us: a History Through Art’ on BBC iplayer. All these cover some similar ground, weaving their own story around similar times, people, place and objects.

It is important to remember that all history stories are selective, interpretive and sometimes even polemical. Also that the writers operate within the realm of their own knowledge, beliefs and the paradigms they have inherited from others. In addition they have to operate with the evidence available and this can vary considerably and sometimes speculation is the only real option. It is important that we recognise that speculation and also look for the questions that are not being asked.

In the above histories some time is spent looking at the different tribes and peoples moving through the landscape of the British Isles from the arrival of the Romans to the end of, say, Elizabeth 1’s reign. There are Picts, Celts, Anglo-Saxons, Vikings and more, all coming into and going out of different parts of the islands, fighting, raiding, settling, mating but also, very importantly, trading. Nobody knows exactly what happened or all the movements from one place to another.

As I was taking all this in, I started to think about language and went off on a trail looking at Welsh, Irish and Scottish Gaelic, Anglo Saxon English, Norse, Latin, French. All of these and more co-existing and influencing. When you listen to the history stories there is a tendency for them to assume that Latin and French, for instance are being used by the ‘educated’ few, or that the fact that Welsh now exists mainly in Wales means that all the Welsh speakers were driven out of England when other groups came in. While this drift is true, it hides a more complicated day-to-day situation. At any one time many people would just have stayed where they were and adapted to the changed circumstances.

One of the glues in this complicated situation is trade. Among the objects found in archaeological digs in these islands are elements that come from all over the then known world. Between their origin and their final resting place there is a continuous chain of more ordinary people exchanging goods, passing on manufacturing techniques, discussing and copying designs and haggling over prices.

These exchanges are not carried out exclusively in mime. Bits of all sorts of languages would be used, drawings might be scribbled on archaeologically useless scraps of whatever was to hand, and different coinages would be assessed and traded. This doesn’t just happen at trading centres, but between ordinary individuals across disputed territories, who are just getting on with their daily lives.

There is no one standard English language to day and there never has been, but we all manage to communicate more or less. When I was young there were no regional accents on radio or TV, so it was often harder for some to understand some others. The irony of the current fusion of accents is that local differences are rapidly disappearing. When I visited family in Cumbria, I would hear broad dialect/accent that I rarely hear today. At the same time, if I watch a Norwegian program with subtitles, I can still hear some of those dialect words used in Norway. Similarly, when I was young a lot of my friends were Jewish. At school they talked the same as me, but at home they would often be surrounded by Yiddish, Hebrew and quite likely at least one other European language. I still have random Yiddish words floating about in my brain. Similarly there were Muslim families who were regularly using at least three languages at home. All people and living languages have always been, and still are, complicated mixes.

I mentioned mating somewhere in there and this clearly has an effect on how people interacted in history, but I think we’ll leave that for another post.

Categories
Garden

Garden Birds

For a lot of people part of the joy of a garden is wildlife. Ours is certainly built to attract it, though the birds always seem to ignore the bird boxes in favour of the scruffy hedgerows.

We also have bird feeders. The arguments for and against are difficult to balance, but we have them. Considerable time has been spent stopping grey squirrels getting at them and making sure that large birds don’t dominate too much.

Recently I have been filming from the house using a little telephoto attachment on an old smart phone. Below are a couple of mixes from the filming. Warning – the first contains a sparrowhawk. The second is a medley of clips with bird sounds recorded in the garden.

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Art

Cleveland Way, Whitby

Categories
Art

Painting the Highlands

A short trip round some Scottish favourites, with time for some sketching.

Ullapool
Portree
Fort Augustus
Categories
Sculpture

A Day Out at Sculpture Lounge

My good friend Stephen and I took advantage of the chance to use the studios of David Mayne and Mick Kirby Geddes, to have a play making some sculptures. As usual a great couple of days with some interesting people. Here are the results:

Stephen’s:

Mine: