Categories
Art Briefings

Keep on Trying

Addendum to the text below. Since this I have had all sorts of nuisance health problems, such as a failed hip replacement, but I now know that practice has enabled me to ensure that I generally make a better fist of painting such as this example. So the heading is even more apt four years later.

As we enter Covid Tier 3 and full England Lockdown threatens, I resolve to get back to painting, but I have hit a block. I have just decided I don’t like one I did before and taken it off the wall to redo and the sketch below is the last I did in Wales and I really dislike it.When I did it, Ruth went of for a walk and I set out on my folding bike for this spot. The gears suddenly stopped changing and the battery started threatening to run out faster than expected (I later discovered that the charger had fried three expensive batteries). As I set off it went a bit cooler and the wind really got up. By the time I got to this spot I was a bit cold. As I decided to pick an angle to sit and work from, I realised that, while the view was lovely, it was hard to capture on paper, because of the scales. Determined, I started and the water-filled brush I carry in my little travelling set decided to play up and wasn’t delivering water.I was sat on a 35cm high stool balancing a small sketchbook, a pallette, a source of water and myself as the wind increased. The sketch book kept trying to close and the tiny pallette lid kept doing the same, spilling my paint mixes into each other.Suddenly I realised that the tree I was sat under was an oak and was raining acorns down on where I was sat. and that the numbers were increasing. As I intinctively flinched when one hit me, I sent paint flying over the painting and had to rapidly find the rag to mop it up.I hastily captured some last details and fled the scene.The sad thing is that I know, even after sixty years of practice, I could neve capture that scene to my satisfaction. I am lucky that there are paintings I have done, especially little ones, that make me smile every time I see them, but there are more like this that sit there accusing me.Undaunted, I must pick up my brushes again. Maybe a cup of coffee and a few little jobs first.

Barmouth
Towards Barmouth
Categories
Garden

This Year

It has been a funny year of course but work is well underway preparing for winter and next year. 100m of hedges cut, trees trimmed, meadow beds cut, scarified and extra perennials and seeds added, more cuttings started. Manure has been hauled and is waiting to rejuvenate beds, pumkins have been collected and stored, late vegetables are being picked and used, we have started using the wood cut and stored last year. There is always more to do but looking at the meadow bed as it is now, reminds me of its earlier glory.

Categories
Garden Sculpture

To See or not to See

Designing a garden, painting or sculpture, or even looking at one, involves choices. Do you open everything up to view straight away or do you keep some things temporarily hidden? Do you make it obvious or do people have to make an effort?

Today I had a quick wander round YSP to see some spots I haven’t visited in a while and it made me think about layers of vision.

Sometimes people ask about the views in our garden and the top two pictures here illustrate how it has changed. In the first, you can see hills beyond clearly, but there is nothing really in the foreground to hold your eye. In the second, the foreground is so complicated that it is possible not to notice the hills. The foreground now has its own layers of detail and hints of other views. To see the hills more clearly you have to walk down to the shelter that can just be seen bottom right in the second picture. The whole picture has become richer.

Similarly with the Seated Man sculpture from YSP. It is often depicted from the side or three quarter front, giving a clear view of who it is. While I was up there today. I noticed that the man is actually not looking at YSP at all, but at Emley Moor mast, which adds a new dimension to the thoughtful face on the sculpture. Similarly, if you pause and look closely, you can see the hairs on the man’s chest, which takes some doing in a huge solid object like that. The level of detail in this representational piece is there to make you think about the object in a more complex way.

The sculpture itself takes some effort to get to as well. I used to point people to a previous sculpture on this spot from right across the valley, but, despite its size, you can’t really spot this one easily from that far away. This means that like the garden and YSP itself, you have to walk around and give it time to disccover more.

Categories
Art

A jaunt in Wales

Categories
Garden

Video Tour

Made earlier this year, before a lot of flowers came out and in low detail to get it up here, but this helps in envisaging that odd garden shape.
Categories
Garden

This one we didn’t grow

Parasol Mushroom
Apart from Ruth’s gardening knees and the Parasol mushroom, there is a lot in this picture. That is next door but one in the background, we planted the tree fairly recently, Ruth is actually sitting on an access path to keep this deliberate wildness controlled and we get a vast range of fungi because of the wild woodland and the cuttings ‘brash’ that we tuck around the place. We could, but didn’t eat the mushroom by the way.
Categories
Garden

Cuttings and more cuttings

A summer pot
Once we were given a small fuschia in a pot. Like most other plants in the garden, its clones are now all over the place. Cuttings can be quite technical, but I always recommend that you take a lot of soft bits, medium bits and hard bits, remove most of the lower leaves and stick them in a spare bit of garden whenever you are pruning. I usually works.
Categories
Garden

Sulking Sunflowers

Sulking Sunflowers

End of the season and these sunflowers have decided to hide

Categories
Garden

Sundown September 2020

A well deserved cup of tea at the end of the day and sit and enjoy the latest version of the close view.