Author: Steve Scott

When I was young, in north London, there were extended family gatherings at Xmas. A regular one was at my aunt’s house in Harlesden. All Barrow-in-Furness expats would gather along with strays gathered in London, such as the actor Peter Swanwick and my older cousins boyfriends. The house was a long thin maisonette with a dog legged corridor leading to a back dining parlour and small kitchen. A lot of people could squeeze into that space, chatting, drinking and talking to other Barrow expats on long distance calls.

One Boxing Day all this was going on while I played on the front step with my four year-old brother. He fell and hurt himself and I ran down the long corridor to tell mum. As I got to the door into the back room I trod on a mat that slipped backwards and went flying forward, putting my hand through the glass door. I suspect that event has shaped my life in surprising ways and retracing the sequence of events helps understand that.

The first thing is that I suddenly became the centre of attention and the shocked, mainly passive, focus of other people’s actions. I also became an observer of all those actions. That may be the first effect on my life. Over the next few years there was a lot of attention and observation going on.

My mum was a very practical and bright person and a nurse and midwife. She took control. I was carried to the front room, while someone was despatched to phone an ambulance. Mum assessed the damage and realised I had severed and artery, amongst other things. She told my uncle to get something to use as a tourniquet and, when he came back with a scraggy piece of cheesecloth, sent him in no uncertain terms to get something stronger. Effect number two, pay attention to mum, she is boss.

I don’t know whether people know about tourniquets any more (we used to practice them in the Scouts), but they are very effective if applied correctly. I watched fascinated as she used the tourniquet to control and lessen the blood loss. Lesson three, my body has an inside and my mum knows how it works. That red stuff is important.

Soon after this the ambulance arrived, at the same time as my startled dad, who I think had been at work. He was dispatched to go with me, while the scene of the crime was cleared up and mum took car of my brother. To be fair to dad, he arrived shocked and late, had instructions shouted at him and had to sit as a passive watcher and waiter, while other competent people did things to me over the next long hours. Neither my dad or my uncle seemed to be people who controlled much.

I hope you are not squeamish, but the next thing I remember was people holding me down and picking at the inside of my arm with tweezers, to remove pieces of glass and inspect the damage in detail, to formulate a plan for complicated surgery. I had severed blood vessels, nerves and tendons in my wrist, sending the tendons back up into my arm, so I am so very grateful to all the people who saved my hand and possibly my life that day and over the next few years. Subsequently, I have realised that I also probably owe much to the surgical advances made in the Second World War. The kind of micro surgery involved in the reconstruction was very new then.

I will not go into a boring, blow by blow, account of all the things that happened afterwards but they had a wide range of effects because I had become an observer. People put electric currents through my hand to try to stimulate the nerves. They put my hand in hot liquid wax that gave a warm glove to stimulate blood circulation and tissue growth. The wrapped my arm and hand in plaster coated bandages to support it while it healed. I still managed to put a ruler down inside to stop the itching, which I don’t think helped with the scars.

They also devised a special metal spring device to keep my hand straightened out and to build up power when I tried to use the hand. The kids at school called it a knuckle duster, so I had to find out what one of those was. I watched and tried to understand what was going on. I realised how useful practical skills were.

Next they started getting me to do practical things. One was weaving and I have always understood how cloth was made ever since. I was bought plasticine and pipe cleaners to make models to increase my dexterity. I have never stopped making things since. A woman teacher called me a chatterbox and made an origami dinosaur head and put it on my desk. I have been able to make those and other origami figures ever since. I once organised an entire university drama course year making origami swans for a project.

The hand that was worst damaged is still not very skilled. but I have learnt ways to accommodate. At least it is not really suffering from osteoarthritis like the left one, because that one has done a lot of hard work. The hand is not the point though. The effect on my life has been wide ranging. It made me intent on learning how to do things. When I spotted someone who could draw well, I copied them and practised until I became reasonably able. It made me a better observer and gave me a wider understanding of all sorts of thing from bodies to mechanicals. It gave me an awareness that if you can’t do something one way, then try to find another way. I think it made me more creative.

So thanks again to all those who helped me along the way.

I have been aware of digital art most of my adult life, i.e. since the early 70’s. I’ve made static images, animations, games, manipulated videos and sound. The tools that are available now are astonishing. That said, alongside a phone to quickly capture some aspects of a scene, below is what I use mostly when sketching:

It has in it mechanical pencils with soft drawing leads, short very soft pencils, a mini paint box, water filled brushes, rags, two tiny sketchbooks…… It also isn’t affected by awkward light reflections and doesn’t run out of power. The image below is in that bundle still.

On my Android phone I have a copy of Art Rage, which works on all the main computers. This one used just my finger as a pointer/pen/pencil. Waiting for a tram in Soler on Mallorca, I could draw this quickly without getting out and balancing, pad,water, paints and pencils.

The first thing to remember about digital art packages is that media rules don’t apply. While you can appear to be painting with oil and a stiff brush, you are just applying dots of colour. If you use a pencil effect, you can expand the the size of the lead to huge proportions, add colour and get that grainy effect of a soft pencil on grainy paper over whatever area you want. If the tool doesn’t give you the effect you want try another one. This lack of rules applies whatever the App you are using.

While you are just applying dots when you work, the apps and devices are very sophisticated nowadays and can often detect pressure and speed to recognise gestures. In this way they try to reproduce what you would get when using a brush, pencil or other tool on paper or canvass. To get the best out of this, the ‘pen’ device and App may need to match. Procreate on Apple is matched to the Apple Pencil and even different models are better matched than others. Don’t forget my finger drawing though.

The final thing I’ll say for the moment is that there are three tools on all Apps that you can use. First, Undo, which usually allows you to go back several times to pretend you didn’t just do what you did. Second a variable size Eraser that will magically rub out paint too. Third is the ability to change the Settings for each tool, for instance to add more thinners or paint. There is also the opportunity to save what you have done so far and start adding to it in another version (left swipe the file on Apple).

I’ll keep adding to this post with more detail later. See below.

Good luck.

What are you trying to draw/paint?

Here are a couple of finger doodles on the phone:

These were done very quickly to send via WhatsApp. The second one was during a FaceTime with Ruth’s grandchildren, when they were laughing at my eyes popping out. I sometimes play ‘swap the doodle’ with my grandchildren or send quick visual jokes and birthday wishes to them. The digital art apps are great for that but if you are thinking of a digital version of a paper image then it gets a little more complicated. As with any medium, it is easier if you create images that fit with the medium. All we need to know for the moment is that it helps to have an idea of what you are aiming for. If you are aiming for a particular size of printed image, then try to start with an image of that size.

Cutting and Pasting

I am now going to half contradict that statement above and introduce another tool. The image below is one I was working on, using techniques I had never used before, which are much akin to collage. It served to reassure me that I was getting somewhere but I didn’t like the colours of the feet at the bottom and the cars needed more variety. So I made a new copy of the image and started altering it. I simply rubbed out the feet and started again, having worked out better ways of doing that bit of it.

The result was this one:

You can see that the feet are completely different, I’ve added soil and subsoil layer and also creatures. There is extra colour and variation in the cars too. At this point I realised I had made the wrong shape decision at the start, so I was able to set up a new blank canvas and select a portion of the old one and copy it in.

I was much happier with that, so I added a few subtle changes and settled on the finished image (for now…). So don’t give up.

Importing an Image

Last week I was at a workshop on using palette knives, which I am not very practised at. I kept at it afterwards and produced the image below:

As an experiment I imported that image into the art app I was playing with and added a transparent layer on top (thank you Linda for the idea). In that layer it took around 1 minute to carelessly add some snow. Here is the result:

I use this technique to make things like Christmas cards.

While the landscape images above are here, we might as well look at a quick paint app version, done in a bit over an hour, using my finger as a pointer on an Ipad. I think it is not as good and would have to work hard to make it match.

Here is a version done on my phone:

In both of those images I tried to use the tools available to get a bit closer to the hard copy original. In the ArtRage package there is even a palette knife tool, but I couldn’t get that physical feel. A quick play with Procreate was even less satisfactory, but I am less experienced with that.

I’ll finish this particular post by repeating earlier advice. Treat the digital art Apps as a different medium. Play with them to see what works for you. Discover how they work best. So far I have discovered that ArtRage seems to work better than Procreate at reproducing different media while still being flexible in use. If you paint or draw detailed and smooth images, rather than textured, then the Apps might make a better job of reproducing what you do. Here’s one about us travelling through the world, that was digital from start to finish:

Here is one, called Dancing up the Dawn, that I’m working on. It uses all the techniques covered above:

This is much more complicated and there are basic figures that I have taken from previous work and then altered for this picture. I have used multiple layers to play with the arrangements. If you put a piece of the image in a higher layer, then it will cover the lower layer, so you can play with different overlaps. Even with the background I use two layers to try out different effects, once I had the basic layout and sky. I later went back to the top one of those two layers to play with the shadow effects.

Once again, Good Luck.

When I was sixteen I painted this image of the patterns made by cars and people at a Zebra Crossing. I’ve always been a bit obsessed by patterns of movement and the paths made through the world.

When Shelley Art Group set a fungi challenge, I had a picture in my head but realised I would find it hard to realise in paint, so I tried with an app called ArtRage and was pleased with the result, as were others.

I now have an obsession to realise some of those ideas I have never managed before. Meanwhile my other obsession with Schumpeter and Appropriate Technology has sent me on a slight sidetrack involving creating lots of digital images to incorporate in other pieces.

And larger piece in development

A sidetrack for visitors, find the creature sculptures around the garden and buildings.