Categories
Art Paintings

Pippa Ashworth Workshop

Yesterday I was at a Contemporary Landscape Painting workshop with Pippa. It was very stimulating, so I thought I’d pass the basics on.

We started by dividing a good sized piece of reasonably heavyweight cartridge paper into three rows and then making marks across each row with palette knife and undiluted acrylic paint. Desperately not thinking of landscapes we used a dark, medium and light colour in each, perhaps with a warm or cold colour relationship.

Make sure to leave a good quantity of white paper. On one row at least the dark should be black. The marks should overflow to give colour and texture subtleties. There should be slightly stronger areas of pigment and others could be almost scraped off. Don’t get too fussy.

Next take a small mount cut out and keep laying it over the paper to see if any interesting shapes or images emerge. You can twist the mount at whatever angle works. Pick as many images as you fancy playing with. They can’t overlap, as the next task is to cut them out and stick them to a sheet of paper to work on. In those bits you can think about landscape at last. You can paint over any bits that don’t work and add detail that adds more shape, distance and texture.

Lastly we did some larger (but still small for this exercise) pictures using the same stages on each piece of paper – Making flat marks in three colour shades, with different strengths, overlaps and textures. Doing it reminded me of Heather Burton’s advice to block in shapes quickly in flat colour at the start of a palette knife piece and the abstract session where we folded a paper that we had worked on to highlight different sections and stimulate new ideas.

The exercise aimed to give more liveliness to compositions. Using flat acrylics allows you to add layers of subtlety and detail afterwards.

Categories
Art Briefings

When a Dog Lies Down

The feeling behind art

I’ve written elsewhere about how we should recognise that a lot of our behaviours, including art, a just our own versions of other animal behaviours. So have you watched a dog lie down? It is intriguing. First comes the impulse, then the spot selection, then walking on the spot in a circle, the head is down and the terrain is checked visually and in terms of scent and finally a satisfied plonk to ground. During this the dog will also be checking its environment, including checking on other animals it wishes to please or stay on good terms with.

That certainly describes a good part of my art process, except with drawings and paintings I am mostly walking back and forwards to decide when it feels right. I can’t help checking what others think either.

For some people art is almost like a meditation, where you are paying attention to each mark and excluding as many outside thoughts as possible. Does that sound similiar?

For others art is a way of expressing anger but the same is true of that too. You need to look for the point at which the demon has for the moment been exorcised. If it is just for therapy then that is enough. If you want to get a message across to others then you can also think about how well that has been achieved.

Even if you are just showing off, you still need to go round those circles until you have managed something that will light up people’s eyes.

Personally I think that the more technical art gets the more danger there is of loosing the feeling involved. If possible you need to manage to balance technique and feeling until you are at the point where you can plonk down and relax, at least for a short while.

Categories
Uncategorized

Little Winter Birds

Woodpecker and Long Tailed Tit Invasion
Edited Snippets of our most common and hungry bird visitors
Categories
Garden

Late December Smile Inducers

Categories
Art Sculpture

Art that Evolves

I had a discussion the other day about the fact that people often pay good money to have something look like it has rusted with age, the fashionable use of Corten steel being an example. I have a love of letting sculptures develop as they will over the years, with minimal interference and restoration. Wooden ones sometimes need more attention but I love the way the metal ones change. Different metals have different characteristics and alloying and oxidisation processes affect that. I think the sculptures have a better feel and texture if left to evolve, with minimal interference, though lately I have been using a weak oil paint and linseed oil mix on parts of them to slow and subtly alter the changes.

Here are some examples.

Categories
Briefings

Us, Thinking, Understanding and AI

In a previous post, on AI, I wrote that we still don’t really understand quite how we think. A comment by Ruth while looking at an animated weather map suddenly brought together for me a whole mass of observations and ideas that I thought might be worth putting down on Cloud paper.

So how do we get those sudden moments of apparent clarity? We know that it is to do with our constant monitoring and building of synapses, but we don’t really know what is going on.

Let’s get back to some basics. I used the word Thinking in the title, but for most of us that means just the tiny percentage of brain work that we are somehow also aware of as we do it. There is a whole complex set of process going on behind that. Those processes also do not end where our brain is either, they are affected by and have effects on our bodies. Recent research has unpicked some of the complexities of how birds manoeuvre , through foliage for instance, and it has highlighted just how complex and integrated all the information processing is.

Of course it doesn’t end at the periphery of our bodies either. Hive minds and the communication signals that pass between trees have entered popular imagination in recent years. On a personal level, I have been astonished many times by the speed of my reactions to outside stimuli over the years (and a few times by their failure too). While I have no chance of controlling the fastest reactions, my brain and body are also instantly busy categorising, analysing and planning further actions. Amazingly it is also observing all this happen. In windy conditions, a huge branch nearly came down on me in the New Forest one year. I escaped injury, more by luck than reaction times, but it is still in my brain as some sort of learned experience. Not only that but I can now abstract from it and realise that the tree would have picked up signals from the falling and landing branch and my clumsy evasive dance would have been registered as well by both the tree and other life forms in the vicinity, whose own reactions would have effects and so on. It wasn’t just Ruth and I who were on alert that day.

Thinking about all that, we must remember that the complexity may mean that everything cannot be processed and analysed perfectly. Our brains have to sacrifice some detail for more useful gains in learning. Different living things and individuals inevitably have different abilities to process and use their experiences. I have always had difficulty holding onto names and numbers but that hasn’t stopped me from being fairly good at things, such as maths, that involve numbers for instance. Others will outshine me in some areas but fall behind in others. Everything is a compromise in one direction or another.

The same is true of AI and AI has another layer of difficulty to deal with, in that it often needs to find effective ways to communicate what it has found. Communicating involves reaching an agreed sense of meaning and importance with those you are communicating with and that is hard.

This takes us back to our maps. What prompted the discussion Ruth and I had, was zooming in and out on the map and the choices that the app made on what to include on the map at the different levels. Not surprisingly it failed to realise the relative importance of different pieces of information to us. IT, with or without AI, has always had this problem. In earlier days the compromise decisions were made by humans but they are now frequently made by code. Human decision makers are far from perfect but they often have an instinctive understanding of other human understanding. Despite all its advances and amazing powers, code still has trouble realising what is obvious to us.

To be continued…..

Categories
Art Sculpture

A Host of Metal Butterflies

I’ve just hired time in David Mayne’s sculpture studio to realise a dream I didn’t really know I had. I’ve often told visitors to Yorkshire Sculpture Park about people metaphorically patting me on the head for sculpture I made when I was 16 and then looking around at the professional SCULPTURES. I couldn’t see how I could move into that world and moved on.

Sculpture by a sixteen year old

After making a few metal sculptures in recent years, I had a vision of making up a group and decided to indulge myself.

I’d recently made two butterflies based on the Ringlet and they seemed to please others as well. One of them was left by its new owner to quietly oxidise by itself which will look more like the Ringlet, which is brown. After installing the second and looking at the way the light worked on it, I decided to experiment with putting a weak mixture of yellow ochre and linseed oil on the butterfly and sap green in the case of the leaf. That has worked well, changing the subtle effects of the heat worked markings and slowing the ageing process but not stopping it and not having an enameled surface that will later flake.

I decided to do a set of ten based on the Ringlet again and also the Comma. Here is the result grouped in the corridor at The Sculpture Lounge.

The stands allow them to be displayed on a flat surface, where they can be bolted down if required. Equally they can stand on soil and the rod goes through the stand to anchor further into the soil. Tent pegs can also be used with the cross pieces (we live in a windy garden).

Here is a shorter one in the flower bed by our kitchen. The leaf is temporarily yellow with some oil paint and the sun. It will slowly change colour.

Unlike the Ringlet, the Comma is quite bright yellow or orange on the upper side of the wing. The lower side is dull and brown, so that they look like a dead leaf when the wings are closed. Clever eh? I have started patination experiments on the same lines to give a gentle aging and earlier colour indication.

Categories
Garden

What a Day

We woke up late this morning and opened the curtains to a really miserable day. Not looking like a day for the planned gardening. As we sat in bed drinking tea, the rain started to clear and a strange light appeared down in the valley. Slowly it spread up into the sky and, equally slowly, turned from a vague streak of colour into a bright rainbow.

As the rain moved away the rainbow faded again and then finally disappeared. The sky turned blue and gardening looked possible.

Later Simon, who helps us look after this hilly wonder nowadays, turned up and the three of us set off clearing, planting, pruning and cutting down, now that the leaves have gone. The rain kept coming and going but not enough to stop us.

We had a really productive day, from the top right down to the bottom of the garden. Holes in the laid hedged were filled, brambles cleared, redundant, rampaging wild roses removed, perennials planted, the garden produced, garden pole stock renewed and a spot the difference created in one corner of the top area, where a maple needed its yearly trim and an old ailing cherry tree needed to come down to make room for more planting. Now I need to decide what to carve the cherry stump into.

Categories
Birds Garden

Fattening up for Winter

I happened to pass the window where the camera phone is set up when there was a rush of birds. Some bits are speeded up others slowed down. Originally they were there for around six minutes after I pressed the button.

Categories
Food

Turmeric Cauliflower Cheese

This is one of those experiments that crept into my brain and worked first time. I make quite a lot of variations of a cauliflower, broccoli, potato mix from dry to moist, from roasted to plain cooked vegetables, from full vegan to a combination. I used cheese this time but you could add more nutritional yeast or a touch of marmite into the mix instead and perhaps add crushed , mildly salted, salted cashews to the top when browning off.

Ingredients for the roasting tine – 2 tablespoons olive oil, 1 tablespoon turmeric, desert spoon mint, tablespoon thyme, teaspoon paprika.

To add later – tablespoon nutritional yeast,  half teaspoon of  arrowroot, teaspoon whole mustard, 100g barber’s crunchy, desert spoon bouillon.

Vegetables – chopped large cauliflower, about 20 small salad potatoes, 1 small onion chopped fine.

Heat the oil, herbs and spices in the oven in a roasting tin (210c).

At the same time pre-cook the potatoes for 5 minutes in the microwave, add to the hot oil and turn. 

Keep pre-cooking the cauliflower a batch at a time (4 minutes each), adding to the roast and turning to catch the turmeric colour.

Add the onions to the roast before the last batch.

Add the remaining ingredients, except the cheese and mix round. Add 100 cc of water and half the cheese, then mix up. Top with remaining cheese and return to the oven, until the cheese is browning.